A captivating artistic exhibition titled `Javedan`, held at the Pakistan National Council of Arts (PNCA) in Karachi, unfolded as a mesmerising show of diverse artistic expressions. Bringing together both emerging and seasoned artists, the exhibition seamlessly blended sculptures and paintings, collectively immersing viewers in the rich cultural heritage of Gandhara and Mohenjo Daro.

Gandhara, with its historical significance deeply rooted in the convergence of Greek, Indian, and Persian influences, stands as an example of the diverse cultural amalgamation during ancient times. The intricate Buddhist sculptures and stupas of Gandhara at the exhibition bear witness to the artistic prowess of the region, serving as an artistic bridge between different civilisations. On the other hand, Mohenjo Daro, one of the oldest settlements of the Indus Valley Civilisation, represents an advanced urban society, with its planned streets, intricate drainage system, and distinctive artefacts. Both these historical landmarks were masterfully depicted by the artists in the show, evoking a profound sense of nostalgia and connection to our cultural roots.

The exhibition bore immense historical value by acting as a visual journey through time, inviting visitors to reflect on the ancient splendours of Gandhara and Mohenjo Daro.

More than 20 sculptors, and around 16 painters, participated and displayed their work at the show, with each sculpture and painting appearing increasingly rich and awe-inspiring, creating a captivating experience where each piece surpassed the previous in artistic brilliance.

The colossal black Buddha, sculpted by Hassan Baqar and positioned at the heart of the hall, immediately commanded attention, symbolising the spiritual essence of Gandharan art. Surrounding sculptures made by other artists, depicting daily life in the Indus Valley Civilisation, added a nuanced layer to the exhibition, offering a glimpse into the sociocultural fabric of Mohenjo Daro. Mansoor Zuberi, both sculptor and curator of the show, played a pivotal role in guiding the participating artists, ensuring their works resonated with the historical depth and cultural significance of the chosen theme.

The historical value of art lies in its ability to act as a conduit for cultural transmission, preserving and communicating the essence of civilisations across generations. The `Javedan` exhibition exemplified this value by reviving and celebrating the artistic traditions of Gandhara and Mohenjo Daro. Through the artists` skillful hands, the past came alive, providing a contemporary audience with a profound link to the rich history of our land.

The artists showcased remarkable maturity and a deep understanding of the exhibition`s theme. Their works not only paid homage to the artistic legacy of Gandhara and Mohenjo Daro, but also breathed new life into these ancient narratives. The exhibition at PNCA served as a commendable exploration of our historical roots, inviting viewers to appreciate the enduring relevance of our cultural heritage. The artists` collective effort transformed the exhibition into a vibrant visual, weaving together the threads of history, art, and contemporary expression, leaving an indelible mark on the cultural landscape.

`Javedan` was on display at the PNCA, Karachi, from January 17-February 14, 2024 T he writer is a Karachi-based journalist who writes about art and entertainment. She is also a media coordinator for the International Water colour Society